Look like you meant it,everywhere they see you.
A lot of people meet your business as a picture in a feed while they're on the couch. Your phone is full of photos of your work and there's never time to make anything of them. Send them over and get back artwork that looks like a designer made it — your colours, your logo, cut to the right shape for a story, a feed or the printer, ready to go up.
A designer's output, without hiring a designer.
You send the photos and the thing you want to say. You get back finished artwork, in every shape you need it.
Story-shaped and feed-shaped, every time
The same promotion cut for a story and cut for a feed, so nothing important gets cropped off the top or buried under your own logo. It arrives ready to go up, not as something you have to resize first.
Print-ready posters and flyers
A3 for the wall, a flyer for the counter, a sign for the window. Real print files that go straight to the printer, not a screenshot off a phone.
Your look, held the same way every week
Your colours, your fonts, your photos. So your business doesn't turn up in four different styles depending on who made the last one.
A steady drumbeat, not a burst
A regular run of artwork, so you're not quiet for three months and then post four things in one afternoon.
The promotion isn’t the hard part. The picture is.
Most of the ways businesses solve this cost more than they look like they do.
The promotion nobody made the picture for
You had the idea on Monday. By Friday there was no poster, no story, nothing — so a quiet week went out unpromoted. You'd already paid the rent and the wages on that week either way.
The one you knocked up yourself, badly
It took an hour you didn't have, the logo's a bit squashed, and half the text is cut off when it's actually on a phone. That was the version of your business anybody who scrolled past that week actually saw.
Good work, priced per job
So you stop asking for the small ones — and the small ones are the weekly ones. The look drifts, and the big pieces end up carrying a business that looks different every time anybody sees it.
Which usually shows up as invoices per poster, an agency retainer you never really wanted, or your own evenings — which are the most expensive of the three and the only one that never appears in the books.
What this is, and what it isn't
It's the artwork, finished and handed to you, sized for a story, a feed and the printer. It is not social media management: no logins, no posting on your behalf, no writing your captions, no chasing comments, no reports about followers. You stay in charge of what goes up and when — and everybody knows where that line is from the first day.
What changes once it's live.
You describe the promotion in a sentence and the artwork turns up finished, in every shape you need it.
Nobody is asked to “just knock something up” on a Friday afternoon.
Your business looks the same wherever they see it, and it looks like you meant it.
And it's your look — your colours, your logo, your photos — not a template with your name typed into it.
Five promotions, five made-up businesses.
We're new, so we're not going to show you somebody else's campaign or dress a sample up as a client's. These were drawn for businesses that don't exist — a detailer, a cafe, a plumber, a salon and a gym — so you can judge the look without anybody's name being borrowed. Each one is shown as a feed post and as a story, because that's how they're delivered. Your own photography drops into these; that's the part we're not going to fake in a sample.
- FULL CUT – POLISH – INTERIOR
- BOOKED IN, BACK THE SAME DAY
- TWO-FOR-ONE ON ANY FULL DETAIL
BOOK ONLINE · SLIPSTREAMDETAILING.COM.AU
- FULL CUT – POLISH – INTERIOR
- BOOKED IN, BACK THE SAME DAY
- TWO-FOR-ONE ON ANY FULL DETAIL
BOOK ONLINE · SLIPSTREAMDETAILING.COM.AU
Car detailer · Winter detail special · a made-up business · also supplied print-ready
Car detailer · 1 of 5
Sample artwork — fictional businesses, to show the style. Nothing here is a real customer's campaign, and none of these businesses exist. Each one is drawn rather than photographed; your own photos are what drop into the space the colour block holds.
The rest of what we run